17
Dec
Esquire Theme by Matthew Buchanan
Social icons by Tim van Damme
10
Nov
Download an entire new Shwayze (now Aaron Smith) album.

23
Apr
I love the softer side of The Stones… even though it’s not really that soft. Well, they are named after rocks. Here are The Rolling Stones with “Ruby Tuesday” live.
25
Mar
Audio Addiction: Sufjan Stevens
A lot of times when I write about music, I look to alert readers about upcoming or undercover acts that deserve some recognition. Sufjan is nowhere near unknown, but he’s still relatively unfamous, which is enough to prompt me to write.

He’s a great songwriter and he’s very subtle in his stylings. His music is very strong, yet his brand remains untapped. He’s relatively popular to people who know good music, yet he’s still just playing tiny concert halls for devoted fans, most likely just because he wants to, which is great! I’m a big fan of Conor Oberst and all of his projects, but I think the Bright Eyes frontman has reached a level of critical acclaim and public notoriety that leaves him in a weird limbo within the music world, in that he’s still brilliant but bordering on mainstream indie. I think Sufjan could be a decent alternative, in his own right.

22
Feb
This is another one of my all-time favorite songs. It’s Blink-182 with Mutt, live in Sydney. It’s one of those songs, for me, that just has so many memories behind it.
09
Feb
Audio Addiction: The Pink Spiders
I’ve been into The Pink Spiders for a few years now. I actually accidentally bought their demo CD Hot Pink and then, a few months ago, realized they had rerecorded most of their material on a more polished and produced album, Teenage Graffiti.
You may know them for their semi-popular hit “Little Razorblade” which is pretty good, and made it’s mainstream debut on The Hills and subsequently in Hollister stores and finally in Hell. Sorry guys, mainstream is not meant for you. You were meant to be underground. Since their minor MTV audience hit, the band has gone on an “extended hiatus.”
Blame Hollister!
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The Pink Spiders aren’t about awesome vocals. The lead singer is definitely capable, but they’re more about hitting semi-hard, really really quickly. The songs on Hot Pink flash by, sometimes even clocking in under two minutes, but the lyrics are catchy and some of the lines they throw out are super clever.
Above is a video of my favorite song of their song, “Modern Swinger.” I am very happy to have come across the original demo version because it’s somewhat better, in my opinion, than the new one.
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03
Feb
Audio Addiction: Shwayze
Shwayze’s music glides by on catchy hooks and clever lines. I’m honestly surprised he’s not more popular than he is at this point. You don’t have to love hip hop to love Shwayze. He’s pop enough to be readily digestible by mainstream radio, but cool enough to like. He also had his own reality show on MTV, appropriately titled Buzzin’.

I think he suffered from a lack of critical approval surrounding his debut. His sophomore effort, however, is a hell of a lot better than his first attempt. The tracks seem a lot more polished and a little more complex, not so heavily reliant on just an infections hook. Honestly, I’ve listened to “Corona and Lime,’ his second single, a couple of hundred times at this point (driving around down the shore over the course of two summers), and I still can’t remember anything aside from the chorus.
Wait, I just put it on, and all of a sudden I know the words. I’m not sure if this is a good thing or a bad thing for Shwayze.

Anyway, what’s more important is that Let it Beat, the sophomore album, has a lot more complexity. Start off with a track like “Maneater” and then graduate to the likes of “Livin’ it Up ft. Snoop Dogg” and “Dirty Little Girl.” In reality, if you like one track then you’ll probably like all of them. If you don’t like one track, then you’re boring.
Check out the lead single from Let it Beat called “Get U Home” above.
21
Jan
One of my favorite songs… Vampire Weekend’s “Bryn.”
I’ve written about it previously. Give it a listen. Everyone deserves to have a Bryn in their life.
13
Jan
C
ontra is here!

I’ve been waiting for this one for a while now. Contra, the new release from Vampire Weekend became available this past Monday. Of course, the album was available for streaming in its entirety for a week or so prior on myspace but I managed to hold back. The truth is, Vampire Weekend is one of those special cases that comes around once in a blue moon, usually when you least expect it. I felt I owed it to the countless plays I gave “Cape Cod Kwassa Kwassa” and “Bryn” this past year to wait for an official copy of Contra, and to sit down and listen to the album in full when I had a moment to breathe.

Here’s what I think. I went in expecting to love the album, so it’s no surprise to me that I’m enjoying track after track as I sit here listening. Having said that, I’m very familiar with their sound and their direction. This definitely feels like a sequel that you might need to enjoy after experiencing the original. Anyone with taste will like it regardless, but to get the most from it, listen to Vampire Weekend first. This isn’t like watching Jason X where you can just jump in and enjoy seeing Jason kill tweens in space instead of at Camp Crystal Lake in Friday the 13th. I think newcomers should without a doubt give the self titled debut a spin before listening to this sophomore effort.
The sound is more complex and electronic than its predecessor. Vampire Weekend’s arrangements were reminiscent of the most polished elementary school music class ever. I mean that as an extreme compliment. I like the glockenspiel.
Their sound is undeniably unique and it’s maintained on Contra. It does, however, feel like more of an effort to listen to. The simple hipster/Afro/prep style is somewhat fogged in more complex music. There aren’t stand out catchy singles on here like “A-Punk” or “The Kids Don’t Stand a Chance,” but that doesn’t mean the new tracks aren’t great. The pace feels faster, the lyrics are more abundant and maybe even a little more complex. Having had the year to prepare, I’m more than glad to participate. I’d say I’m on my fourth listen right now, give or take a couple of extra listens to the tracks I especially like.

I’ve always liked “Horchata,” the track that was released a few months early to give listeners a taste of the new stuff. The melodic tunes of “White Skies” are great. I like the cooing. This track is more or less what I was hoping for from the album, so having it on here leaves me satisfied. Therefore, I don’t have a problem with having to pay extra attention to tracks that are much more complex like the more frantic “California English” or “Cousins.” I’ve been listening to “Diplomat’s Son” and “Giving Up the Gun” on repeat. I also especially like the bonus track, “Giant.”
What it comes down to is that with each passing album, artists who are receiving an abundance of critical acclaim, great sales, publicity, etc. are pressured to evolve. I think Vampire Weekend made the judgment call to make an album for the fans rather than one that could have easily capitalized on their mainstream exposure from the past few months. For that I am very grateful, and Contra should leave the fans well-satiated for at least another year or so. However, “Bryn” will remain my track of choice.
Oh, and with regards to the post title, I like Spike too.
